York Minster - May 8th, 1856

The Minster from the South East - c1840
Attributed to Frederick Mackenzie - York Art Gallery

May 8th, 1856

The next morning, May 8th, I rose and breakfasted early, and took the rail soon after eight o'clock, leaving Mr. Bowman behind; for he had business in Newcastle, and would not follow till some hours afterwards. There is no use in trying to make a narrative of anything that one sees along an English railway. All I remember of this tract of country is that one of the stations at which we stopped for an instant is called "Washington," and this is, no doubt, the old family place, where the De Wessyngtons, afterwards the Washingtons, were first settled in England. Before reaching York, first one old lady and then another (Quaker) lady got into the carriage along with me; and they seemed to be going to York, on occasion of some fair or celebration. This was all the company I had, and their advent the only incident. It was about eleven o'clock when I beheld York Cathedral rising huge above the old city, which stands on the river Ouse, separated by it from the railway station, but communicating by a ferry (or two) and a bridge. I wandered forth, and found my way over the latter into the ancient and irregular streets of YORK, crooked, narrow, or of unequal width, puzzling, and many of them bearing the name of the particular gate in the old walls of the city to which they lead. There were no such fine, ancient, stately houses as some of those in Shrewsbury were, nor such an aspect of antiquity as in Chester; but still York is a quaint old place, and what looks most modern is probably only something old, hiding itself behind a new front, as elsewhere in England.

I found my way by a sort of instinct, as directly as possible, to YORK MINSTER. It stands in the midst of a small open space,—or a space that looks small in comparison with the vast bulk of the cathedral. I was not so much impressed by its exterior as I have usually been by Gothic buildings; because it is rectangular in its general outline and in its towers, and seems to lack the complexity and mysterious plan which perplexes and wonder-strikes me in most cathedrals. Doubtless, however, if I had known better how to admire it, I should have found it wholly admirable. At all events, it has a satisfactory hugeness. Seeking my way in, I at first intruded upon the Registry of Deeds, which occupies a building patched up against the mighty side of the cathedral, and hardly discernible, so small the one and so large the other. I finally hit upon the right door, and I felt no disappointment in my first glance around at the immensity of enclosed space;—I see now in my mind's eye a dim length of nave, a breadth in the transepts like a great plain, and such an airy height beneath the central tower that a worshipper could certainly get a good way towards heaven without rising above it. I only wish that the screen, or whatever they call it, between the choir and nave, could be thrown down, so as to give us leave to take in the whole vastitude at once. I never could understand why, after building a great church, they choose to sunder it in halves by this mid-partition. But let me be thankful for what I got, and especially for the height and massiveness of the clustered pillars that support the arches on which rests the central tower. I remember at Furness Abbey I saw two tall pillars supporting a broken arch, and thought it, the most majestic fragment of architecture that could possibly be. But these pillars have a nobler height, and these arches a greater sweep. What nonsense to try to write about a cathedral!

There is a great, cold bareness and bleakness about the interior; for there are very few monuments, and those seem chiefly to be of ecclesiastical people. I saw no armed knights, asleep on the tops of their tombs; but there was a curious representation of a skeleton, at full length, under the table-slab of one of the monuments. The walls are of a grayish hue, not so agreeable as the rich dark tint of the inside of Westminster Abbey; but a great many of the windows are still filled with ancient painted glass, the very small squares and pieces of which are composed into splendid designs of saints and angels, and scenes from Scripture.

There were a few watery blinks of sunshine out of doors, and whenever these came through the old painted windows, some of the more vivid colors were faintly thrown upon the pavement of the cathedral,—very faintly, it is true; for, in the first place, the sunshine was not brilliant; and painted glass, too, fades in the course of the ages, perhaps, like all man's other works. There were two or three windows of modern manufacture, and far more magnificent, as to brightness of color and material beauty, than the ancient ones; but yet they looked vulgar, glaring, and impertinent in comparison, because such revivals or imitations of a long-disused art cannot have the good faith and earnestness of the originals. Indeed, in the very coloring, I felt the same difference as between heart's blood and a scarlet dye. It is a pity, however, that the old windows cannot be washed, both inside and out, for now they have the dust of centuries upon them.

The screen or curtain between the nave and choir has eleven carved figures, at full length, which appeared to represent kings, some of them wearing crowns, and bearing sceptres or swords. They were in wood, and wrought by some Gothic hand. These carvings, and the painted windows, and the few monuments, are all the details that the mind can catch hold of in the immensity of this cathedral; and I must say that it was a dreary place on that cold, cloudy day. I doubt whether a cathedral is a sort of edifice suited to the English climate. The first buildings of the kind were probably erected by people who had bright and constant sunshine, and who desired a shadowy awfulness—like that of a forest, with its arched wood-paths—into which to retire in their religious moments.

In America, on a hot summer's day, how delightful its cool and solemn depths would be! The painted windows, too, were evidently contrived, in the first instance, by persons who saw how effective they would prove when a vivid sun shone through them. But in England, the interior of a cathedral, nine days out of ten, is a vast sullenness, and as chill as death and the tomb. At any rate, it was so to-day, and so thought one of the old vergers, who kept walking as briskly as he could along the width of the transepts. There were several of these old men when I first came in, but they went off, all but this one, before I departed. None of them said a word to me, nor I to them; and admission to the Minster seems to be entirely free.

After emerging from this great gloom, I wandered to and fro about York, and contrived to go astray within no very wide space. If its history be authentic, it is an exceedingly old city, having been founded about a thousand years before the Christian era.

Nathaniel Hawthorne

April 11th, 1857

We took a dish of soup, and spent a miserable hour in and about the railway station of Leeds; whence we departed at four, and reached YORK in an hour or two. We put up at the Black Swan, and before tea went out, on the cool bright edge of evening, to get a glimpse of the cathedral, which impressed me more grandly than when I first saw it, nearly a year ago. Indeed, almost any object gains upon me at the second sight. I have spent the evening in writing up my journal,—an act of real virtue.

After walking round the cathedral, we went up a narrow and crooked street, very old and shabby, but with an antique house projecting as much as a yard over the pavement on one side,—a timber house it seemed to be, plastered over and stained yellow or buff. There was no external door, affording entrance into this edifice; but about midway of its front we came to a low, Gothic, stone archway, passing right through the house; and as it looked much time-worn, and was sculptured with untraceable devices, we went through. There was an exceedingly antique, battered, and shattered pair of oaken leaves, which used doubtless to shut up the passage in former times, and keep it secure; but for the last centuries, probably, there has been free ingress and egress. Indeed, the portal arch may never have been closed since the Reformation. Within, we found a quadrangle, of which the house upon the street formed one side, the others being composed of ancient houses, with gables in a row, all looking upon the paved quadrangle, through quaint windows of various fashion. An elderly, neat, pleasant-looking woman now came in beneath the arch, and as she had a look of being acquainted here, we asked her what the place was; and she told us, that in the old Popish times the prebends of the cathedral used to live here, to keep them from doing mischief in the town. The establishment, she said, was now called "The College," and was let in rooms and small tenements to poor people. On consulting the York Guide, I find that her account was pretty correct; the house having been founded in Henry VI.'s time, and called St. William's College, the statue of the patron saint being sculptured over the arch. It was intended for the residence of the parsons and priests of the cathedral, who had formerly caused troubles and scandals by living in the town.

We returned to the front of the cathedral on our way homeward, and an old man stopped us, to inquire if we had ever seen the Fiddler of York. We answered in the negative, and said that we had not time to see him now; but the old gentleman pointed up to the highest pinnacle of the southern front, where stood the Fiddler of York, one of those Gothic quaintnesses which blotch the grandeur and solemnity of this and other cathedrals.

April 12th, 1857—

This morning was bleak and most ungenial; a chilly sunshine, a piercing wind, a prevalence of watery cloud,—April weather, without the tenderness that ought to be half revealed in it. This is EASTER SUNDAY, and service at the cathedral commenced at half past ten; so we set out betimes and found admittance into the vast nave, and thence into the choir. An attendant ushered Sophia and Julian to a seat at a distance from me, and then gave me a place in one of the stalls where the monks used to sit or kneel while chanting the services. I think these stalls are now appropriated to the prebends. They are of carved oaken wood, much less elaborate and wonderfully wrought than those of Chester Cathedral, where all was done with head and heart, each a separate device, instead of cut, by machinery like this. The whole effect of this carved work, however, lining the choir with its light tracery and pinnacles, is very fine. The whole choir, from the roof downward, except the old stones of the outer walls, is of modern renovation, it being but a few years since this part of the cathedral was destroyed by fire. The arches and pillars and lofty roof, however, have been well restored; and there was a vast east window, full of painted glass, which, if it be modern, is wonderfully chaste and Gothic-like. All the other windows have painted glass, which does not flare and glare as if newly painted. But the light, whitewashed aspect of the general interior of the choir has a cold and dreary effect. There is an enormous organ, all clad in rich oaken carving, of similar pattern to that of the stalls. It was communion day, and near the high altar, within a screen, I saw the glistening of the gold vessels wherewith the services were to be performed.

The choir was respectably filled with a pretty numerous congregation, among whom I saw some officers in full dress, with their swords by their sides, and one, old white-bearded warrior, who sat near me, seemed very devout at his religious exercises. In front of me and on the corresponding benches, on the other side of the choir, sat two rows of white-robed choristers, twenty in all, and these, with some women; performed the vocal part of the music. It is not good to see musicians, for they are sometimes coarse and vulgar people, and so the auditor loses faith in any fine and spiritual tones that they may breathe forth.

The services of Easter Sunday comprehend more than the ordinary quantity of singing and chanting; at all events, nearly an hour and a half were thus employed, with some intermixture of prayers and reading of Scriptures; and, being almost congealed with cold, I thought it would never come to an end. The spirit of my Puritan ancestors was mighty within me, and I did not wonder at their being out of patience with all this mummery, which seemed to me worse than papistry because it was a corruption of it. At last a canon gave out the text, and preached a sermon about twenty minutes long,—the coldest, driest, most superficial rubbish; for this gorgeous setting of the magnificent cathedral, the elaborate music, and the rich ceremonies seem inevitably to take the life out of the sermon, which, to be anything, must be all. The Puritans showed their strength of mind and heart by preferring a sermon an hour and a half long, into which the preacher put his whole soul, and lopping away all these externals, into which religious life had first leafed and flowered, and then petrified.

After the service, while waiting for my wife in the nave, I was accosted by a young gentleman who seemed to be an American, and whom I have certainly seen before, but whose name I could not recollect. This, he said, was his first visit to York, and he was evidently inclined to join me in viewing the curiosities of the place, but, not knowing his name, I could not introduce him to my wife, and so made a parting salute.

After writing the above, Julian and I went out for another ramble before tea; and, taking a new course, we came to a grated iron fence and gateway, through which we could see the ruins of St. Mary's Abbey. They are very extensive, and situated quite in the midst of the city, and the wall and then a tower of the Abbey seem to border more than one of the streets. Our walk was interesting, as it brought us unexpectedly upon several relics of antiquity,—a loop-holed and battlemented gateway; and at various points fragments of the old Gothic stone-work, built in among more recent edifices, which themselves were old; grimness intermixed with quaintness and grotesqueness; old fragments of religious or warlike architecture mingled with queer domestic structures,—the general effect sombre, sordid, and grimy; but yet with a fascination that makes us fain to linger about such scenes, and come to them again.

We passed round the cathedral, and saw jackdaws fluttering round the pinnacles, while the bells chimed the quarters, and little children played on the steps under the grand arch of the entrance. It is very stately, very beautiful, this minster; and doubtless would be very satisfactory, could I only know it long and well enough,—so rich as its front is, even with almost all the niches empty of their statues; not stern in its effect, which I suppose must be owing to the elaborate detail with which its great surface is wrought all over, like the chasing of a lady's jewel-box, and yet so grand! There is a dwelling-house on one side, gray with antiquity, which has apparently grown out of it like an excrescence; and though a good-sized edifice, yet the cathedral is so large that its vastness is not in the least deformed by it. If it be a dwelling-house, I suppose it is inhabited by the person who takes care of the cathedral. This morning, while listening to the tedious chanting and lukewarm sermon, I depreciated the whole affair, cathedral and all; but now I do more justice, at least to the latter, and am only sorry that its noble echoes must follow at every syllable, and re-reverberate at the commas and semicolons, such poor discourses as the canon's. But, after all, it was the Puritans who made the sermon of such importance in religious worship as we New-Englanders now consider it; and we are absurd in considering this magnificent church and all those embroidered ceremonies only in reference to it.THE MINSTER.

Monday, April 13th, 1857—

This morning was chill, and, worse, it was showery, so that our purposes to see York were much thwarted. At about ten o'clock, however, we took a cab, and drove to the cathedral, where we arrived while service was going on in the choir, and ropes were put up as barriers between us and the nave; so that we were limited to the south transept, and a part of one of the aisles of the choir. It was dismally cold. We crept cheerlessly about within our narrow precincts (narrow, that is to say, in proportion to the vast length and breadth of the cathedral), gazing up into the hollow height of the central tower, and looking at a monumental brass, fastened against one of the pillars, representing a beruffed lady of the Tudor times, and at the canopied tomb of Archbishop de Grey, who ruled over the diocese in the thirteenth century. Then we went into the side aisle of the choir, where there were one or two modern monuments; and I was appalled to find that a sermon was being preached by the ecclesiastic of the day, nor were there any signs of an imminent termination. I am not aware that there was much pith in the discourse, but there was certainly a good deal of labor and earnestness in the preacher's mode of delivery; although, when he came to a close, it appeared that the audience was not more than half a dozen people.

The barriers being now withdrawn, we walked adown the length of the nave, which did not seem to me so dim and vast as the recollection which I have had of it since my visit of a year ago. But my pre-imaginations and my memories are both apt to play me false with all admirable things, and so create disappointments for me, while perhaps the thing itself is really far better than I imagine or remember it. We engaged an old man, one of the attendants pertaining to the cathedral, to be our guide, and he showed us first the stone screen in front of the choir, with its sculptured kings of England; and then the tombs in the north transept,— one of a modern archbishop, and one of an ancient one, behind which the insane person who set fire to the church a few years ago hid himself at nightfall. Then our guide unlocked a side door, and led us into the chapter-house,—an octagonal hall, with a vaulted roof, a tessellated floor, and seven arched windows of old painted glass, the richest that I ever saw or imagined, each looking like an inestimable treasury of precious stories, with a gleam and glow even in the sullen light of this gray morning. What would they be with the sun shining through them! With all their brilliancy, moreover, they were as soft as rose-leaves. I never saw any piece of human architecture so beautiful as this chapter-house; at least, I thought so while I was looking at it, and think so still; and it owed its beauty in very great measure to the painted windows: I remember looking at these windows from the outside yesterday, and seeing nothing but an opaque old crust of conglomerated panes of glass; but now that gloomy mystery was radiantly solved.

Returning into the body of the cathedral, we next entered the choir, where, instead of the crimson cushions and draperies which we had seen yesterday, we found everything folded in black. It was a token of mourning for one of the canons, who died on Saturday night. The great east window, seventy-five feet high, and full of old painted glass in many exquisitely wrought and imagined Scriptural designs, is considered the most splendid object in the Minster. It is a pity that it is partially hidden from view, even in the choir, by a screen before the high altar; but indeed, the Gothic architects seem first to imagine beautiful and noble things, and then to consider how they may best be partially screened from sight. A certain secrecy and twilight effect belong to their plan.

We next went round the side aisles of the choir, which contain many interesting monuments of prelates, and a specimen of the very common Elizabethan design of an old gentleman in a double ruff and trunk breeches, with one of his two wives on either side of him, all kneeling in prayer; and their conjoint children, in two rows, kneeling in the lower compartments of the tomb. We saw, too, a rich marble monument of one of the Strafford family, and the tombstone of the famous Earl himself,—a flat tombstone in the pavement of the aisle, covering the vault where he was buried, and with four iron rings fastened into the four corners of the stone whereby to lift it.

And now the guide led us into the vestry, where there was a good fire burning in the grate, and it really thawed my heart, which was congealed with the dismal chill of the cathedral. Here we saw a good many curious things,—for instance, two wooden figures in knightly armor, which had stood sentinels beside the ancient clock before it was replaced by a modern one; and, opening a closet, the guide produced an old iron helmet, which had been found in a tomb where a knight had been buried in his armor; and three gold rings and one brass one, taken out of the graves, and off the finger-bones of mediaeval archbishops,—one of them with a ruby set in it; and two silver-gilt chalices, also treasures of the tombs; and a wooden head, carved in human likeness, and painted to the life, likewise taken from a grave where an archbishop was supposed to have been buried. They found no veritable skull nor bones, but only this block-head, as if Death had betrayed the secret of what the poor prelate really was. We saw, too, a canopy of cloth, wrought with gold threads, which had been borne over the head of King James I., when he came to York, on his way to receive the English Crown. There were also some old brass dishes, In which pence used to be collected in monkish times. Over the door of this vestry were hung two banners of a Yorkshire regiment, tattered in the Peninsular wars, and inscribed with the names of the battles through which they had been borne triumphantly; and Waterloo was among them. The vestry, I think, occupies that excrescential edifice which I noticed yesterday as having grown out of the cathedral.

After looking at these things, we went down into the crypts, under the choir. These were very interesting, as far as we could see them; being more antique than anything above ground, but as dark as any cellar. There is here, in the midst of these sepulchral crypts, a spring of water, said to be very pure and delicious, owing to the limestone through which the rain that feeds its source is filtered. Near it is a stone trough, in which the monks used to wash their hands.

I do not remember anything more that we saw at the cathedral, and at noon we returned to the Black Swan.

In the morning, before breakfast, I strolled out, and walked round the cathedral, passing on my way the sheriff's javelin-men, in long gowns of faded purple embroidered with gold, carrying halberds in their hands; also a gentleman in a cocked hat, gold-lace, and breeches, who, no doubt, had something to do with the ceremonial of the Sessions. I saw, too, a procession of a good many old cabs and other carriages, filled with people, and a banner flaunting above each vehicle. These were the piano-forte makers of York, who were going out of town to have a jollification together.

Nathaniel Hawthorne

July 11th, 1857

After breakfast we all went to the cathedral, and no sooner were we within it than we found how much our eyes had recently been educated, by our greater power of appreciating this magnificent interior; for it impressed us both with a joy that we never felt before. Julian felt it too, and insisted that the cathedral must have been altered and improved since we were last here. But it is only that we have seen much splendid architecture since then, and so have grown in some degree fitted to enjoy it. York Cathedral (I say it now, for it is my present feeling) is the most wonderful work that ever came from the hands of man. Indeed, it seems like "a house not made with hands," but rather to have come down from above, bringing an awful majesty and sweetness with it and it is so light and aspiring, with all its vast columns and pointed arches, that one would hardly wonder if it should ascend back to heaven again by its mere spirituality. Positively the pillars and arches of the choir are so very beautiful that they give the impression of being exquisitely polished, though such is not the fact; but their beauty throws a gleam around them. I thank God that I saw this cathedral again, and I thank him that he inspired the builder to make it, and that mankind has so long enjoyed it, and will continue to enjoy it.

Hawthorne's Cathedrals and Abbeys of Britain

Search This Blog