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September 7th, 1855
Yesterday forenoon I went out alone, and plunged headlong into London, and wandered about all day, without any particular object in view, but only to lose myself for the sake of finding myself unexpectedly among things that I had always read and dreamed about. The plan was perfectly successful, for, besides vague and unprofitable wanderings, I saw, in the course of the day, Hyde Park, Regent's Park, Whitehall, the two new Houses of Parliament, Charing Cross, St. Paul's, the, Strand, Fleet Street, Cheapside, Whitechapel, Leadenhall Street, the Haymarket, and a great many other places, the names of which were classic in my memory. I think what interests me most here, is the London of the writers of Queen Anne's age [b.1765, reigned 1702-1714], —whatever Pope, The Spectator, De Foe, and down as late as Johnson and Goldsmith, have mentioned. The Monument, for instance, which is of no great height nor beauty compared with that on Bunker Hill, charmed me prodigiously.
St. Paul's appeared to me unspeakably grand and noble, and the more so from the throng and bustle continually going on around its base, without in the least disturbing the sublime repose of its great dome, and, indeed, of all its massive height and breadth. Other edifices may crowd close to its foundation, and people may tramp as they like about it; but still the great cathedral is as quiet and serene as if it stood in the middle of Salisbury Plain. There cannot be anything else in its way so good in the world as just this effect of St. Paul's in the very heart and densest tumult of London. I do not know whether the church is built of marble, or of whatever other white or nearly white material [actually it's Portland Stone]; but in the time that it has been standing there, it has grown black with the smoke of ages, through which there are nevertheless gleams of white, that make a most picturesque impression on the whole. It is much better than staring white; the edifice would not be nearly so grand without this drapery of black.
I think I must have been under a spell of enchantment to-day, connecting me with St. Paul's; for, trying to get away from it by various avenues, I still got bewildered, and again and again saw its great dome and pinnacles before me. I observe that the smoke has chiefly settled on the lower part of the edifice, leaving its loftier portions and its spires much less begrimed. It is very beautiful, very rich. I did not think that anything but Gothic architecture could so have interested me. The statues, the niches, the embroidery, as it were, of sculpture traced around it, produced a delightful effect.
In front of St. Paul's there is a statue of Queen Anne, which looks rather more majestic, I doubt not, than that fat old dame ever did. St. Paul's churchyard had always been a place of immense interest in my imagination. It is merely the not very spacious street, running round the base of the church,—at least, this street is included in the churchyard, together with the enclosure immediately about the church, sowed with tombstones.
Nathaniel Hawthorne
September 13th, 1855
Seeing that the door of St. Paul's, under one of the semicircular porches, was partially open, I went in, and found that the afternoon service was about to be performed; so I remained to hear it, and to see what I could of the cathedral. What a total and admirable contrast between this and a Gothic church! the latter so dim and mysterious, with its various aisles, its intricacy of pointed arches, its dark walls and columns and pavement, and its painted glass windows, bedimming even what daylight might otherwise get into its eternal evening.
But this cathedral was full of light, and light was proper to it. There were no painted windows, no dim recesses, but a wide and airy space beneath the dome; and even through the long perspective of the nave there was no obscurity, but one lofty and beautifully rounded arch succeeding to another, as far as the eye could reach.
The walls were white, the pavement constructed of squares of gray and white marble. It is a most grand and stately edifice, and its characteristic stems to be to continue forever fresh and new; whereas such a church as Westminster Abbey must have been as venerable as it is now from the first day when it grew to be an edifice at all. How wonderful man is in his works! How glad I am that there can be two such admirable churches, in their opposite styles, as St. Paul's and Westminster Abbey!
The organ was played while I was there, and there was an anthem beautifully chanted by voices that came from afar off and remotely above, as if out of a sunny sky.
Meanwhile I looked at such monuments as were near; chiefly those erected to military or naval men,—Picton, General Ponsonby, Lord St. Vincent, and others; but against one of the pillars stands a statue of Dr. Johnson,—a noble and thoughtful figure, with a development of muscle befitting an athlete.
I doubt whether sculptors do not err in point of taste, by making all their statues models of physical perfection, instead of expressing by them the individual character and habits of the man. The statue in the market-place at Lichfield has more of the homely truth of Johnson's actual personality than this.
St. Paul's, as yet, is by no means crowded with monuments; there is, indeed, plenty of room for a mob of the illustrious, yet to come. But it seems to me that the character of the edifice would be injured by allowing the monuments to be clustered together so closely as at Westminster, by incrusting the walls with them, or letting the statues throng about the pedestals of columns. There must be no confusion in such a cathedral as this, and I question whether the effect will ever be better than it is now, when each monument has its distinct place, and as your eye wanders around, you are not distracted from noting each marble man, in his niche against the wall, or at the base of a marble pillar. Space, distance, light, regularity, are to be preserved, even if the result should be a degree of nakedness.
I saw Mr. Appleton of the Legation, and Dr. Brown, on the floor of the cathedral. They were about to go over the whole edifice, and had engaged a guide for that purpose; but, as I intend to go thither again with Sophia, I did not accompany them, but went away the quicker that one of the gentlemen put on his hat, and I was ashamed of being seen in company with a man who could wear his hat in a cathedral. Not that he meant any irreverence; but simply felt that he was in a great public building,—as big, nearly, as all out of doors,—and so forgot that it was a consecrated place of worship. The sky is the dome of a greater cathedral than St. Paul's, and built by a greater architect than Sir Christopher Wren, and yet we wear our hats unscrupulously beneath it.
I remember no other event of importance, except that I penetrated into a narrow lane or court, either in the Strand or Fleet Street, where was a tavern, calling itself the "Old Thatched House," and purporting to have been Nell Gwyn's dairy. I met with a great many alleys and obscure archways, in the course of the day's wanderings.
Nathaniel Hawthorne
September 28th, 1855
- and I walked to Charing Cross yesterday forenoon, and there took a Hansom cab to St. Paul's Cathedral. It had been a thick, foggy morning, but had warmed and brightened into one of the balmiest and sunniest of noons. As we entered the cathedral, the long bars of sunshine were falling from its upper windows through the great interior atmosphere, and were made visible by the dust, or mist, floating about in it. It is a grand edifice, and I liked it quite as much as on my first view of it, although a sense of coldness and nakedness is felt when we compare it with Gothic churches. It is more an external work than the Gothic churches are, and is not so made out of the dim, awful, mysterious, grotesque, intricate nature of man. But it is beautiful and grand. I love its remote distances, and wide, clear spaces, its airy massiveness; its noble arches, its sky-like dome, which, I think, should be all over light, with ground-glass, instead of being dark, with only diminutive windows.
We walked round, looking at the monuments, which are so arranged, at the bases of columns and in niches, as to coincide with the regularity of the cathedral, and be each an additional ornament to the whole, however defective individually as works of art. We thought that many of these monuments were striking and impressive, though there was a pervading sameness of idea,—a great many Victorys and Valors and Britannias, and a great expenditure of wreaths, which must have cost Victory a considerable sum at any florist's whom she patronizes. A very great majority of the memorials are to naval and military men, slain in Bonaparte's wars; men in whom one feels little or no interest (except
Picton,
We did not ascend to the galleries and other points of interest aloft, nor go down into the vaults, where Nelson's sarcophagus is shown, and many monuments of the old Gothic cathedral, which stood on this site, before the great fire. They say that these lower regions are comfortably warm and dry; but as we walked round in front, within the iron railing of the churchyard, we passed an open door, giving access to the crypt, and it breathed out a chill like death upon us.
It is pleasant to stand in the centre of the cathedral, and hear the noise of London, loudest all round this spot,—how it is calmed into a sound as proper to be heard through the aisles as the tones of its own organ. If St. Paul's were to be burnt again (having already been bunt and risen three or four times since the sixth century), I wonder whether it would ever be rebuilt in the same spot! I doubt whether the city and the nation are so religious as to consecrate their midmost heart for the site of a church, where land would be so valuable by the square inch.
Coming from the cathedral, we went through Paternoster Row, and saw Ave Mary Lane; all this locality appearing to have got its nomenclature from monkish personages. We now took a cab for the British Museum, but found this to be one of the days on which strangers are not admitted . . .
In the evening I again sallied forth, and lost myself for an hour or two; at last recognizing my whereabouts in Tottenham Court Road. In such quarters of London it seems to be the habit of people to take their suppers in the open air. You see old women at the corners, with kettles of hot water for tea or coffee; and as I passed a butcher's open shop, he was just taking out large quantities of boiled beef, smoking hot. Butchers' stands are remarkable for their profuse expenditure of gas; it belches forth from the pipes in great flaring jets of flame, uncovered by any glass, and broadly illuminating the neighborhood. I have not observed that London ever goes to bed.
Nathaniel Hawthorne
October 6th, 1855
It now rained heavily, and, being still showery when we came to Cheapside again, we first stood under an archway (a usual resort for passengers through London streets), and then betook ourselves to sanctuary, taking refuge in St. Paul's Cathedral. The afternoon service was about to begin, so, after looking at a few of the monuments, we sat down in the choir, the richest and most ornamented part of the cathedral, with screens or partitions of oak, cunningly carved. Small white-robed choristers were flitting noiselessly about, making preparations for the service, which by and by began. It is a beautiful idea, that, several times in the course of the day, a man can slip out of the thickest throng and bustle of London into this religious atmosphere, and hear the organ, and the music of young, pure voices; but, after all, the rites are lifeless in our day. We found, on emerging, that we had escaped a very heavy shower, and it still sprinkled and misted as we went homeward through Holborn and Oxford Street.
Nathaniel Hawthorne
March 26th, 1856
. . . . . Then I went into St. Paul's, and walked all round the great cathedral, looking, I believe, at every monument on the floor. There is certainly nothing very wonderful in any of them, and I do wish it would not so generally happen that English warriors go into battle almost nude; at least, we must suppose so, from their invariably receiving their death-wounds in that condition.
I will not believe that a sculptor or a painter is a man of genius unless he can wake the nobleness of his subject, illuminate and transfigure any given pattern of coat and breeches. Nevertheless, I never go into St. Paul's without being impressed anew with the grandeur of the edifice, and the general effect of these same groups of statuary ranged in their niches and at the bases of the pillars as adornments of the cathedral.
Nathaniel Hawthorne
August 2nd, 1856
Then we stepped into St. Paul's Cathedral to cool ourselves, and it was delightful so to escape from the sunny, sultry turmoil of Fleet Street and Ludgate, and find ourselves at once in this remote, solemn, shadowy seclusion, marble-cool. O that we had cathedrals in America, were it only for the sensuous luxury! We strolled round the cathedral, and I delighted Julian much by pointing out the monuments of three British generals, who were slain in America in the last war,—the naughty and bloodthirsty little man! We then went to Guildhall, where I thought Julian- would like to see Gog and Magog; but he had never heard of those illustrious personages, and took no interest in them. . . . . But truly I am grateful to the piety of former times for raising this vast, cool canopy of marble [St. Paul's] in the midst of the feverish city. I wandered quite round it, and saw, in a remote corner, a monument to the officers of the Coldstream Guards, slain in the Crimea. It was a mural tablet, with the names of the officers on an escutcheon; and two privates of the Guards, in marble bas-relief, were mourning over them. Over the tablet hung two silken banners, new and glossy, with the battles in which the regiment has been engaged inscribed on them,—not merely Crimean but Peninsular battles. These banners will bang there till they drop away in tatters.
Nathaniel Hawthorne
Looking up into the dome and the Whispering Gallery
November 12th, 1857
We now went to St. Paul's. Una and Miss Shepard ascended to the Whispering Gallery, and we, sitting under the dome, at the base of one of the pillars, saw them far above us, looking very indistinct, for those misty upper-depths seemed almost to be hung with clouds. This cathedral, I think, does not profit by gloom, but requires cheerful sunshine to show it to the best advantage. The statues and sculptures in St. Paul's are mostly covered with years of dust, and look thereby very grim and ugly; but there are few memories there from which I should care to brush away the dust, they being, in nine cases out of ten, naval and military heroes of second or third class merit. I really remember no literary celebrity admitted solely on that account, except Dr. Johnson. The Crimean war has supplied two or three monuments, chiefly mural tablets; and doubtless more of the same excrescences will yet come out upon the walls.
One thing that I newly noticed was the beautiful shape of the great, covered marble vase that serves for a font.
Nathaniel Hawthorne
November 15th, 1857
We now returned westward by way of Great Tower Street, Eastcheap, and Cannon Street, and, entering St. Paul's, sat down beneath the misty dome to rest ourselves. The muffled roar of the city, as we heard it there, is very soothing, and keeps one listening to it, somewhat as the flow of a river keeps us looking at it. It is a grand and quiet sound; and, ever and anon, a distant door slammed somewhere in the cathedral, and reverberated long and heavily, like the roll of thunder or the boom of cannon. Every noise that is loud enough to be heard in so vast an edifice melts into the great quietude. The interior looked very sombre, and the dome hung over us like a cloudy sky. I wish it were possible to pass directly from St. Paul's into York Minster, or from the latter into the former; that is, if one's mind could manage to stagger under both in the same day. There is no other way of judging of their comparative effect.
Nathaniel Hawthorne
December 8th, 1857
From the National Gallery I almost groped my way towards the city, for the fog seemed to grow denser and denser as I advanced; and when I reached St. Paul's, the sunny intermixture above spoken of was at its minimum, so that, the smoke-cloud grew really black about the dome and pinnacles, and the statues of saints looked down dimly from their standpoints on high. It was very grand, however, to see the pillars and porticos, and the huge bulk of the edifice, heaving up its dome from an obscure foundation into yet more shadowy obscurity; and by the time I reached the corner of the churchyard nearest Cheapside, the whole vast cathedral had utterly vanished, leaving "not a wrack behind," unless those thick, dark vapors were the elements of which it had been composed, and into which it had again dissolved. It is good to think, nevertheless,—and I gladly accept the analogy and the moral,—that the cathedral was really there, and as substantial as ever, though those earthly mists had hidden it from mortal eyes.
Nathaniel Hawthorne
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