Westminster Abbey - September 10th, 1855 et al

September 10th, 1855

In the afternoon Sophia and I set out to attend divine service in Westminster Abbey.  . . .

I find that the day after I reached London, I entirely passed by Westminster Abbey without knowing it, partly because my eyes were attracted by the gaudier show of the new Houses of Parliament, and partly because this part of the Abbey has been so much repaired and renewed that it has not the marks of age. Looking at its front, I now found it very grand and venerable; but it is useless to attempt a description: these things are not to be translated into words; they can be known only by seeing them, and, until seen, it is well to shape out no idea of them. Impressions, states of mind, produced by noble spectacles of whatever kind, are all that it seems worth while to attempt reproducing with the pen. 

After coming out of the Abbey, we looked at the two Houses of Parliament, directly across the way,—an immense structure, and certainly most splendid, built of a beautiful warm-colored stone. The building has a very elaborate finish, and delighted me at first; but by and by I began to be sensible of a weariness in the effect, a lack of variety in the plan and ornament, a deficiency of invention; so that instead of being more and more interested the longer one looks, as is the case with an old Gothic edifice, and continually reading deeper into it, one finds that one has seen all in seeing a little piece, and that the magnificent palace has nothing better to show one or to do for one. It is wonderful how the old weather-stained and smoke-blackened Abbey shames down this brand-newness; not that the Parliament houses are not fine objects to look at, too.

Nathaniel Hawthorne

September 15th, 1855 

It [St Paul's] is a most grand and stately edifice, and its characteristic stems to be to continue forever fresh and new; whereas such a church as Westminster Abbey must have been as venerable as it is now from the first day when it grew to be an edifice at all. How wonderful man is in his works! How glad I am that there can be two such admirable churches, in their opposite styles, as St. Paul's and Westminster Abbey!

Nathaniel Hawthorne

September 26th, 1855—

Yesterday, at eleven, I walked towards Westminster Abbey, and as I drew near the Abbey bells were clamorous for joy, chiming merrily, musically, and, obstreperously,—the most rejoicing sound that can be conceived; and we ought to have a chime of bells in every American town and village, were it only to keep alive the celebration of the Fourth of July. I conjectured that there might have been another victory over the Russians, that perhaps the northern side of Sebastopol had surrendered; but soon I saw the riddle that these merry bells were proclaiming. There were a great many private carriages, and a large concourse of loungers and spectators, near the door of the church that stands close under the eaves of the Abbey. Gentlemen and ladies, gayly dressed, were issuing forth, carriages driving away, and others drawing up to the door in their turn; and, in short, a marriage had just been celebrated in the church, and this was the wedding-party. The last time I was there, Westminster was flinging out its great voice of joy for a national triumph; now, for the happy union of two lovers. What a mighty sympathizer is this old Abbey!

It is pleasant to recognize the mould and fashion of English features through the marble of many of the statues and busts in the Abbey, even though they may be clad in Roman robes. I am inclined to think them, in many cases, faithful likenesses; and it brings them nearer to the mind, to see these original sculptures,—you see the man at but one remove, as if you caught his image in a looking-glass. The bust of Gay seemed to me very good,—a thoughtful and humorous sweetness in the face. Goldsmith has as good a position as any poet in the Abbey, his bust and tablet filling the pointed arch over a door that seems to lead towards the cloisters. No doubt he would have liked to be assured of so conspicuous a place. There is one monument to a native American, "Charles Wragg, Esq., of South Carolina,"—the only one, I suspect, in Westminster Abbey, and he acquired this memorial by the most un-American of qualities, his loyalty to his king. He was one of the refugees leaving America in 1777, and being shipwrecked on his passage the monument was put up by his sister. It is a small tablet with a representation of Mr. Wragg's shipwreck at the base. Next to it is the large monument of Sir Cloudesley Shovel, which I think Addison ridicules,—the Admiral, in a full-bottomed wig and Roman dress, but with a broad English face, reclining with his head on his hand, and looking at you with great placidity. I stood at either end of the nave, and endeavored to take in the full beauty and majesty of the edifice; but apparently was not in a proper state of mind, for nothing came of it. It is singular how like an avenue of overarching trees are these lofty aisles of a cathedral.

Leaving the Abbey about one o'clock, I walked into the city as far as Grace Church Street, and there called on the American Consul.

Nathaniel Hawthorne

September 28th, 1855

In Westminster Abbey, the monuments are so crowded, and so oddly patched together upon the walls, that they are ornamental only in a mural point of view; and, moreover, the quaint and grotesque taste of many of them might well make the spectator laugh,—an effect not likely to be produced by the monuments in St. Paul's. But, after all, a man might read the walls of the Abbey day after day with ever-fresh interest, whereas the cold propriety of the cathedral would weary him in due time.

Nathaniel Hawthorne

September 30th, 1855

Westminster Abbey being just across the street, we went thither from the hall, and sought out the cloisters, which we had not yet visited. They are in excellent preservation,—broad walks, canopied with intermingled arches of gray stone, on which some sort of lichen, or other growth of ages (which seems, however, to have little or nothing vegetable in it), has grown. The pavement is entirely made of flat tombstones, inscribed with half-effaced names of the dead people beneath; and the wall all round bears the marble tablets which give a fuller record of their virtues. I think it was from a meditation in these cloisters that Addison wrote one of his most beautiful pieces in the Spectator. It is a pity that this old fashion of a cloistered walk is not retained in our modern edifices; it was so excellent for shelter and for shade during a thoughtful hour,—this sombre corridor beneath an arched stone roof, with the central space of richest grass, on which the sun might shine or the shower fall, while the monk or student paced through the prolonged archway of his meditations.

As we came out from the cloisters, and walked along by the churchyard of the Abbey, a woman came begging behind us very earnestly. "A bit of bread," she said, "and I will give you a thousand blessings! Hunger is hard to bear. O kind gentleman and kind lady, a penny for a bit of bread! It is a hard thing that gentlemen and ladies should see poor people wanting bread, and make no difference whether they are good or bad." And so she followed us almost all round the Abbey, assailing our hearts in most plaintive terms, but with no success; for she did it far too well to be anything but an impostor, and no doubt she had breakfasted better, and was likely to have a better dinner, than ourselves. And yet the natural man cries out against the philosophy that rejects beggars. It is a thousand to one that they are impostors, but yet we do ourselves a wrong by hardening our hearts against them. At last, without turning round, I told her that I should give her nothing,—with some asperity, doubtless, for the effort to refuse creates a bitterer repulse than is necessary. She still followed us a little farther, but at last gave it up, with a deep groan. I could not have performed this act of heroism on my first arrival from America.

Whether the beggar-woman had invoked curses on us, and Heaven saw fit to grant some slight response, I know not, but it now began to rain on my wife's velvet; so I put her and J——- into a cab, and hastened to ensconce myself in Westminster Abbey while the shower should last. Poets' Corner has never seemed like a strange place to me; it has been familiar from the very first; at all events, I cannot now recollect the previous conception, of which the reality has taken the place. I seem always to have known that somewhat dim corner, with the bare brown stone-work of the old edifice aloft, and a window shedding down its light on the marble busts and tablets, yellow with time, that cover the three walls of the nook up to a height of about twenty feet. Prior's is the largest and richest monument. It is observable that the bust and monument of Congreve are in a distant part of the Abbey. His duchess probably thought it a degradation to bring a gentleman among the beggarly poets.

I walked round the aisles, and paced the nave, and came to the conclusion that Westminster Abbey, both in itself and for the variety and interest of its monuments, is a thousand times preferable to St. Paul's. There is as much difference as between a snow-bank and a chimney-corner in their relation to the human heart. By the by, the monuments and statues in the Abbey seem all to be carefully dusted.

The shower being over, I walked down into the city.

Nathaniel Hawthorne

October 5th, 1855

I next went to Westminster Abbey, where I had long promised myself another quiet visit; for I think I never could be weary of it; and when I finally leave England, it will be this spot which I shall feel most unwilling to quit forever. I found a party going through the seven chapels (or whatever their number may be), and again saw those stately and quaint old tombs,—ladies and knights stretched out on marble slabs, or beneath arches and canopies of stone, let into the walls of the Abbey, reclining on their elbows, in ruff and farthingale or riveted armor, or in robes of state, once painted in rich colors, of which only a few patches of scarlet now remain; bearded faces of noble knights, whose noses, in many cases, had been smitten off; and Mary, Queen of Scots, had lost two fingers of her beautiful hands, which she is clasping in prayer. There must formerly have been very free access to these tombs; for I observed that all the statues (so far as I examined them) were scratched with the initials of visitors, some of the names being dated above a century ago. The old coronation-chair, too, is quite covered, over the back and seat, with initials cut into it with pocket-knives, just as Yankees would do it; only it is not whittled away, as would have been its fate in our hands. Edward the Confessor's shrine, which is chiefly of wood, likewise abounds in these inscriptions, although this was esteemed the holiest shrine in England, so that pilgrims still come to kneel and kiss it. Our guide, a rubicund verger of cheerful demeanor, said that this was true in a few instances.

There is a beautiful statue in memory of Horace Walpole's mother; and I took it to be really a likeness, till the verger said that it was a copy of a statue which her son had admired in Italy, and so had transferred it to his mother's grave. There is something characteristic in this mode of filial duty and honor. In all these chapels, full of the tombs and effigies of kings, dukes, arch-prelates, and whatever is proud and pompous in mortality, there is nothing that strikes me more than the colossal statue of plain Mr. Watt, sitting quietly in a chair, in St. Paul's Chapel, and reading some papers. He dwarfs the warriors and statesmen; and as to the kings, we smile at them. Telford is in another of the chapels. This visit to the chapels was much more satisfactory than my former one; although I in vain strove to feel it adequately, and to make myself sensible how rich and venerable was what I saw. This realization must come at its own time, like the other happinesses of life. It is unaccountable that I could not now find the seat of Sir George Downing's squire, though I examined particularly every seat on that side of Henry VII's Chapel, where I before found it. I must try again. . . . .

Nathaniel Hawthorne

August 7th, 1856

Taking our leave, we returned along Victoria Street—a new street, penetrating through what was recently one of the worst parts of the town, and now bordered with large blocks of buildings, in a dreary, half-finished state, and left so for want of funds—till we came to Westminster Abbey. We went in and spent an hour there, wandering all round the nave and aisles, admiring the grand old edifice itself, but finding more to smile at than to admire in the monuments. . . . . The interior view of the Abbey is better than can be described; the heart aches, as one gazes at it, for lack of power and breadth enough to take its beauty and grandeur in. The effect was heightened by the sun shining through the painted window in the western end, and by the bright sunshine that came through the open portal, and lay on the pavement,—that space so bright, the rest of the vast floor so solemn and sombre. At the western end, in a corner from which spectators are barred out, there is a statue of Wordsworth, which I do not recollect seeing at any former visit. Its only companion in the same nook is Pope's friend, Secretary Craggs. 

Nathaniel Hawthorne

December 27th, 1857—

Still leading an idle life, which, however, may not be quite thrown away, as I see some things, and think many thoughts.

The other day we went to Westminster Abbey, and through the chapels; and it being as sunny a day as could well be in London, and in December, we could judge, in some small degree, what must have been the splendor of those tombs and monuments when first erected there.

I presume I was sufficiently minute in describing my first visit to the chapels, so I shall only mention the stiff figure of a lady of Queen Elizabeth's court, reclining on the point of her elbow under a mural arch through all these dusty years; . . . . and the old coronation-chair, with the stone of Scone beneath the seat, and the wood-work cut and scratched all over with names and initials. . . . .

Nathaniel Hawthorne

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