St Michael's Church 1902 by William Crotch
upgraded to St Michael's Cathedral 1918bombed almost to destruction during the Coventry Blitz, 14 November 1940
July 1st, 1855
It was fair-day in Coventry, and this gave what no doubt is an unusual bustle to the streets. In fact, I have not seen such crowded and busy streets in any English town; various kinds of merchandise being for sale in the open air, and auctioneers disposing of miscellaneous wares, pretty much as they do at musters and other gatherings in the United States. The oratory of the American auctioneer, however, greatly surpasses that of the Englishman in vivacity and fun. But this movement and throng, together with the white glow of the sun on the pavements, make the scene, in my recollection, assume an American aspect, and this is strange in so antique and quaint a town as Coventry.
We rambled about without any definite aim, but found our way, I believe, to most of the objects that are worth seeing. St. Michael's Church was most magnificent,—so old, yet enduring; so huge, so rich; with such intricate minuteness in its finish, that, look as long as you will at it, you can always discover something new directly before your eyes. I admire this in Gothic architecture,—that you cannot master it all at once, that it is not a naked outline; but, as deep and rich as human nature itself, always revealing new ideas. It is as if the builder had built himself and his age up into it, and as if the edifice had life. Grecian temples are less interesting to me, being so cold and crystalline. I think this is the only church I have seen where there are any statues still left standing in the niches of the exterior walls. We did not go inside. The steeple of St. Michael's is three hundred and three feet high, and no doubt the clouds often envelop the tip of the spire.
Trinity, another church with a tall spire, stands near St. Michael's, but did not attract me so much; though I, perhaps, might have admired it equally, had I seen it first or alone. We certainly know nothing of church-building in America, and of all English things that I have seen, methinks the churches disappoint me least. I feel, too, that there is something much more wonderful in them than I have yet had time to know and experience.
Nathaniel Hawthorne
October 10th, 1857
On Saturday we took the rail for Coventry, about a half-hour's travel distant. I had been there before, more than two years ago. . . . . No doubt I described it on my first visit; and it is not remarkable enough to be worth two descriptions,—a large town of crooked and irregular streets and lanes, not looking nearly so ancient as it is, because of new brick and stuccoed fronts which have been plastered over its antiquity; although still there are interspersed the peaked gables of old-fashioned, timber-built houses; or an archway of worn stone, which, if you pass through it, shows like an avenue from the present to the past; for just in the rear of the new-fangled aspect lurks the old arrangement of court-yards, and rustiness, and grimness, that would not be suspected from the exterior.
Right across the narrow street stands St. Michael's Church with its tall, tall tower and spire. The body of the church has been almost entirely recased with stone since I was here before; but the tower still retains its antiquity, and is decorated with statues that look down from their lofty niches seemingly in good preservation. The tower and spire are most stately and beautiful, the whole church very noble.
We went in, and found that the vulgar plaster of Cromwell's time has been scraped from the pillars and arches, leaving them all as fresh and splendid as if just made.
We looked also into Trinity Church, which stands close by St. Michael's, separated only, I think, by the churchyard.
We also visited St. John's Church, which is very venerable as regards its exterior, the stone being worn and smoothed—if not roughened, rather—by centuries of storm and fitful weather. This wear and tear, however, has almost ceased to be a charm to my mind, comparatively to what it was when I first began to see old buildings. Within, the church is spoiled by wooden galleries, built across the beautiful pointed arches.
Nathaniel Hawthorne
February 5th, 1860—
Mr. and Mrs. Bennoch are staying for a little while at Mr. B———'s at Coventry, and Mr. B——— called upon us the other day, with Mr. Bennoch, and invited us to go and see the lions of Coventry; so yesterday U—— and I went. It was not my first visit, therefore I have little or nothing to record, unless it were to describe a ribbon-factory into which Mr. B——— took us. But I have no comprehension of machinery, and have only a confused recollection of an edifice of four or five stories, on each floor of which were rows of huge machines, all busy with their iron hands and joints in turning out delicate ribbons. It was very curious and unintelligible to me to observe how they caused different colored patterns to appear, and even flowers to blossom, on the plain surface of a ribbon. Some of the designs were pretty, and I was told that one manufacturer pays 500 pounds annually to French artists (or artisans, for I do not know whether they have a connection with higher art) merely for new patterns of ribbons. The English find it impossible to supply themselves with tasteful productions of this sort merely from the resources of English fancy. If an Englishman possessed the artistic faculty to the degree requisite to produce such things, he would doubtless think himself a great artist, and scorn to devote himself to these humble purposes. Every Frenchman is probably more of an artist than one Englishman in a thousand.
We ascended to the very roof of the factory, and gazed thence over smoky Coventry, which is now a town of very considerable size, and rapidly on the increase. The three famous spires rise out of the midst, that of St. Michael being the tallest and very beautiful. Had the day been clear, we should have had a wide view on all sides; for Warwickshire is well laid out for distant prospects, if you can only gain a little elevation from which to see them.
Descending from the roof, we next went to see Trinity Church, which has just come through an entire process of renovation, whereby much of its pristine beauty has doubtless been restored; but its venerable awfulness is greatly impaired. We went into three churches, and found that they had all been subjected to the same process. It would be nonsense to regret it, because the very existence of these old edifices is involved in their being renewed; but it certainly does deprive them of a great part of their charm, and puts one in mind of wigs, padding, and all such devices for giving decrepitude the aspect of youth. In the pavement of the nave and aisles there are worn tombstones, with defaced inscriptions, and discolored marbles affixed against the wall; monuments, too, where a mediaeval man and wife sleep side by side on a marble slab; and other tombs so old that the inscriptions are quite gone. Over an arch, in one of the churches, there was a fresco, so old, dark, faded, and blackened, that I found it impossible to make out a single figure or the slightest hint of the design. On the whole, after seeing the churches of Italy, I was not greatly impressed with these attempts to renew the ancient beauty of old English minsters; it would be better to preserve as sedulously as possible their aspect of decay, in which consists the principal charm. . . . .
On our way to Mr. B———'s house, we looked into the quadrangle of a charity-school and old men's hospital, and afterwards stepped into a large Roman Catholic church, erected within these few years past, and closely imitating the mediaeval architecture and arrangements. It is strange what a plaything, a trifle, an unserious affair, this imitative spirit makes of a huge, ponderous edifice, which if it had really been built five hundred years ago would have been worthy of all respect. I think the time must soon come when this sort of thing will be held in utmost scorn, until the lapse of time shall give it a claim to respect. But, methinks, we had better strike out any kind of architecture, so it be our own, however wretched, than thus tread back upon the past.
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