Then Mr. Bennoch took me to Cripplegate, and, entering the door of a house, which proved to be a sexton's residence, we passed by a side entrance into the church-porch of St. Giles, of which the sexton's house seems to be an indivisible contiguity. This is a very ancient church, that escaped the great fire of London. The galleries are supported by arches, the pillars of which are cased high upwards with oak; but all this oaken work and the oaken pews are comparatively modern, though so solid and dark that they agree well enough with the general effect of the church. Proceeding to the high altar, we found it surrounded with many very curious old monuments and memorials, some in carved oak, some in marble; grim old worthies, mostly in the costume of Queen Elizabeth's time. Here was the bust of Speed, the historian; here was the monument of Fox, author of The Book of Martyrs. High up on the wall, beside the altar, there was a black wooden coffin, and a lady sitting upright within it, with her hands clasped in prayer, it being her awakening moment at the Resurrection. Thence we passed down the centre aisle, and about midway we stopped before a marble bust, fixed against one of the pillars. And this was the bust of Milton! Yes, and Milton's bones lay beneath our feet; for he was buried under the pew over the door of which I was leaning. The bust, I believe, is the original of the one in Westminster Abbey.
Treading over the tombstones of the old citizens of London, both in the aisles and the porch, and within doors and without, we went into the churchyard, one side of which is fenced in by a portion of London Wall, very solid, and still high, though the accumulation of human dust has covered much of its base. This is the most considerable portion now remaining of the ancient wall of London. The sexton now asked us to go into the tower of the church, that he might show us the oldest part of the structure, and we did so, and, looking down from the organ gallery, I saw a woman sitting alone in the church, waiting for the rector, whose ghostly consolation, I suppose, she needed.
This old church-tower was formerly lighted by three large windows,—one of them of very great size; but the thrifty church-wardens of a generation or two ago had built them up with brick, to the great disfigurement of the church. The sexton called my attention to the organ-pipe, which is of sufficient size, I believe, to admit three men.
From Cripplegate we went to Milton Street (as it is now called), through which we walked for a very excellent reason; for this is the veritable Grub Street, where my literary kindred of former times used to congregate. It is still a shabby-looking street, with old-fashioned houses, and inhabited chiefly by people of the poorer classes, though not by authors. Next we went to Old Broad Street, and, being joined by Mr. B———, we set off for London Bridge, turning out of our direct course to see London stone in Watling Street. This famous stone appears now to be built into the wall of St. Swithin's Church, and is so encased that you can only see and touch the top of it through a circular hole. There are one or two long cuts or indentations in the top, which are said to have been made by Jack Cade's sword when he struck it against the stone. If so, his sword was of a redoubtable temper. Judging by what I saw, London stone was a rudely shaped and unhewn post.
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