EDINBURGH.—THE PALACE OF HOLYROOD.
At eleven o'clock we took the rail for Edinburgh, and I remember nothing more, except that the cultivation and verdure of the country were very agreeable, after our experience of Highland barrenness and desolation, until we found the train passing close at the base of the rugged crag of Edinburgh Castle. We established ourselves at Queen's Hotel, in Prince's Street, and then went out to view the city. The monument to Sir Walter Scott—a rather fantastic and not very impressive affair, I thought— stands almost directly in front of a hotel. We went along Prince's Street, and thence, by what turns I know not, to the Palace of Holyrood, which stands on a low and sheltered site, and is a venerable edifice. Arthur's Seat rises behind it,—a high hill, with a plain between. As we drew near the Palace, Mr. Bowman, who has been here before, pointed out the windows of Queen Mary's apartments, in a circular tower on the left of the gateway. On entering the enclosed quadrangle, we bought tickets for sixpence each, admitting us to all parts of the Palace that are shown to visitors; and first we went into a noble hall or gallery, a long and stately room, hung with pictures of ancient Scottish kings; and though the pictures were none of them authentic, they, at least, answer an excellent purpose in the way of upholstery. It was here that the young Pretender gave the ball which makes one of the scenes in Waverley.
Thence we passed into the old historic rooms of the Palace,—Darnley's and Queen Mary's apartments, which everybody has seen and described. They are very dreary and shabby-looking rooms, with bare floors, and here and there a piece of tapestry, faded into a neutral tint; and carved and ornamented ceilings, looking shabbier than plain whitewash. We saw Queen Mary's old bedstead, low, with four tall posts,—and her looking-glass, which she brought with her from France, and which has often reflected the beauty that set everybody mad,—and some needlework and other womanly matters of hers; and we went into the little closet where she was having such a cosey supper-party with two or three friends, when the conspirators broke in, and stabbed Rizzio before her face. We saw, too, the blood-stain at the threshold of the door in the next room, opening upon the stairs. The body of Rizzio was flung down here, and the attendant told us that it lay in that spot all night. The blood-stain covers a large space,—much larger than I supposed,—and it gives the impression that there must have been a great pool and sop of blood on all the spot covered by Rizzio's body, staining the floor deeply enough never to be washed out. It is now of a dark brown hue; and I do not see why it may not be the genuine, veritable stain. The floor, thereabouts, appears not to have been scrubbed much; for I touched it with my finger, and found it slightly rough; but it is strange that the many footsteps should not have smoothed it, in three hundred years.
One of the articles shown us in Queen Mary's apartments was the breastplate supposed to have been worn by Lord Ruthven at the murder, a heavy plate of iron, and doubtless a very uncomfortable waistcoat.
HOLYROOD ABBEY.
HOLYROOD ABBEY.
From the Palace, we passed into the contiguous ruin of Holyrood Abbey; which is roofless, although the front, and some broken columns along the nave, and fragments of architecture here and there, afford hints of a magnificent Gothic church in bygone times. It deserved to be magnificent; for here have been stately ceremonials, marriages of kings, coronations, investitures, before the high altar, which has now been overthrown or crumbled away; and the floor—so far as there is any floor —consists of tombstones of the old Scottish nobility. There are likewise monuments, bearing the names of illustrious Scotch families; and inscriptions, in the Scotch dialect, on the walls.
In one of the front towers,—the only remaining one, indeed,—we saw the marble tomb of a nobleman, Lord Belhaven, who is represented reclining on the top,—with a bruised nose, of course. Except in Westminster Abbey, I do not remember ever to have seen an old monumental statue with the nose entire. In all political or religious outbreaks, the mob's first impulse is to hit the illustrious dead on their noses.
At the other end of the Abbey, near the high altar, is the vault where the old Scottish kings used to be buried; but, looking in through the window, I saw only a vacant space,—no skull, nor bone, nor the least fragment of a coffin. In fact, I believe the royal dead were turned out of their last home, on occasion of the Revolutionary movements, at the accession of William III.
Comments
Post a Comment